Art is an emotional symbol, it cannot be comprehended by thought but can be experienced with emotion.  For painting, it record experience of your heart, it cannot be restrained by rules of technique.

Cheng Chonglin

He advocates a view of “Art- A language of heart”, insisting an artist should find another side of a fact through one’s emotional eyelash and explore a field that camera cannot be explored.  He oppose defend of a mode of unified art, advocates different schools and styles in art, he proposed daring exploring, allow “Nondescript” kind of explore formality, he treats painting technique as “Means of deliver and transfer emotions”, prefer to express his emotion with a big stroke technique.

Shao Da-Qian

The inclination of painting of Cheng Cong-lin is solemn, grave and lofty.  He peruses deepness in his modeling.  He seeks dignified and simple in color, emphasize in deep color hue.

Deng Tian-Xiang